A Level Fine Art AQA

This subject is broken down into 9 topics in 1 modules:

  1. Fine Art 9 topics
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This page was last modified on 28 September 2024.

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Fine Art

Fine Art

Drawing and Painting

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Drawing and Painting

Drawing Fundamentals

  • Perspective - Understanding one, two, and three-point perspective is crucial in creating realistic drawings. Use these techniques to draw objects as they appear in 3D space.

  • Observational Drawing - This requires intense focus on the subject to closely replicate its appearance. Capture texture, dull or shiny surfaces, softness or hardness, and the different tones present.

  • Composition - An effective composition guides the viewer's eye across the artwork, emphasising focal points.

  • Light and Shadow - Understand how light works and how it describes form. This involves working with the light source, reflections, shadows and understanding the value scale.

  • Anatomy - Essential when drawing people and animals to ensure accurate representation.

Painting Fundamentals

  • Colour Theory - Understand the colour wheel, complementary colours, warm and cool colours, and how to mix colours to achieve desired effects.

  • Paint Application Techniques - Master different brushstrokes, such as dry brushing, glazing, stippling, and gradient blending.

  • Painting Mediums - Acrylic, oil, and watercolour each have unique properties that affect the visual language of the artwork.

  • Palette Knife Painting - Creates textured, expressive work. Achieving control and fluidity with this tool is important.

  • Layering and Glazing - Applying thin layers of transparent paint (glazing) or building up multiple layers of paint can create depth in a painting.

  • Brush Care - Taking care of your brushes extends their lifespan and maintains performance

Contextual Understanding

  • Artist Research - Learn about key artists in your chosen area of study. Understand the concepts and techniques they used, and how their work is relevant to your own.

  • Art History Context - Gain knowledge of the period, culture, and society from which an artwork emerges. This affects interpretation, critique, and creation of art.

  • Critical Analysis of Artworks - Develop the ability to decipher and discuss the meaning, context, and visual properties of an artwork.

  • Identification of Themes and Concepts - Identifying themes or concepts in your work can anchor your artistic practice and deepen your art's impact.

  • Writing for Art - Create articulate, well-researched written work related to your practice. This might include exhibition catalogues, artist statements, or essays about your work.

  • Gallery Visitations - Regularly visiting galleries enhances exposure to a variety of artworks and styles, stimulates creativity and broadens understanding of current art practices.

Course material for Fine Art, module Fine Art, topic Drawing and Painting

Fine Art

Fine Art

Printmaking (Relief, Intaglio, Screen Processes and Lithography)

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Printmaking (Relief, Intaglio, Screen Processes and Lithography)

Understanding Printmaking

  • Printmaking is an art form where an image is produced on a surface by applying ink or pigment to a raised design or cut-out areas, and then transferring it onto paper or fabric.
  • There are four main types of printmaking: Relief, Intaglio, Screen Processes, and Lithography.

Relief Printmaking

  • Relief printmaking involves creating an image by cutting away parts of the surface, leaving the image area raised in relation to the rest.
  • Materials for this type can include wood (woodcut) or linoleum (linocut).
  • The cut areas will stay blank in the final print, while the areas left in relief, inked and pressed onto paper, will form the image.

Intaglio Printmaking

  • Intaglio printmaking is a process where lines or grooves are carved into a surface - such as a copper or zinc plate - and the ink is applied into these spaces.
  • Types of Intaglio printmaking can include etching, engraving, drypoint, and aquatint.
  • Ink is wiped from the surface and only remains in the carved lines or grooves. When pressed onto paper, the inked grooves form the image, resulting in highly detailed prints.

Screen Processes

  • Screen Processes, like silk-screen printing or serigraphy, use a woven mesh to support an ink-blocking stencil.
  • The stencil forms open areas of mesh that transfer ink onto the material.
  • A squeegee or sponge is moved across the stencil, forcing or pumping ink past the threads of the woven mesh as ink and onto the printing surface.

Lithography

  • Lithography is a printing process that uses a stone or metal plate with a smooth surface.
  • Based on the principle that water and oil do not mix, an image is created on the plate with a greasy substance and then inked.
  • When paper is pressed onto the plate, the ink from the greasy areas transfers onto the paper, creating the image.

Analysing Printmaking Art

  • Look for qualities such as the crispness or softness of lines, texture, and tonal contrast in printmaking art.
  • Discuss the technical and artistic skill involved in using different printmaking techniques.
  • Comment on the use of repetition, often a feature of works created through printmaking.

Context in Printmaking Art

  • Link the materials, methodologies, and imagery used in printmaking art to specific artistic movements, cultural influences, or historical events.
  • Consider the implications of duplicability in printmaking and how this has shaped the perception and value of such artworks.
  • Discuss how different printmaking techniques could represent or highlight particular themes or messages.

Course material for Fine Art, module Fine Art, topic Printmaking (Relief, Intaglio, Screen Processes and Lithography)

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