GCSE Fine Art CCEA

This subject is broken down into 23 topics in 7 modules:

  1. Drawing and Painting 4 topics
  2. Printmaking 3 topics
  3. Sculpture 3 topics
  4. Textiles and Fibre Art 3 topics
  5. Photography and Lens-Based Media 3 topics
  6. Graphic Design and Illustration 3 topics
  7. Research and Contextual Studies 4 topics
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  • 7
    modules
  • 23
    topics
  • 8,603
    words of revision content
  • 1+
    hours of audio lessons

This page was last modified on 28 September 2024.

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Fine Art

Drawing and Painting

Various drawing techniques (line, tone, texture, perspective)

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Various drawing techniques (line, tone, texture, perspective)

Line Drawing Techniques

  • Contour Drawing: An exercise focusing on edges of a subject, creating an outline. It promotes careful observation and awareness.
  • Cross-Hatching: A method using intersecting lines to create areas of tone. Use different lengths, distances and angles to achieve diverse effects.
  • Stippling: A technique employing dots to indicate areas of shading. The density of the dots conveys darker and lighter tones.

Tonal Drawing Techniques

  • Shading: An essential skill to add depth and volume to subjects. Using darker tones to indicate shadow and lighter for lighted areas.
  • Blending: Perfect for creating smooth transitions between different tones. Use fingers or blending stumps for this effect.
  • Graded Wash: Similar to shading but mostly used with watercolour or thin acrylic paint. Starting off with a dark tone and getting gradually lighter.

Texture in Drawing Techniques

  • Rubbing/Frottage: Technique used to capture the texture of a surface. Using pencils, chalk or charcoal on sheet of paper over the surface.
  • Impasto: A technique using thick applications of paint to create texture. Mostly used in painting but can be adapted with pastel or charcoal use.
  • Sgraffito: A technique often used in painting, where the surface is scratched to reveal a different colour underneath, creating a textured look.

Drawing Techniques in Perspective

  • One Point Perspective: Drawings have a single vanishing point. Used primarily for roads, railroad tracks, hallways or direct views of square objects.
  • Two Point Perspective: Drawings have two vanishing points. Often used for buildings viewed from a corner.
  • Atmospheric Perspective: A technique of creating depth by modifying colour to suggest distance. Distant objects are often faded and less detailed.

Course material for Fine Art, module Drawing and Painting, topic Various drawing techniques (line, tone, texture, perspective)

Fine Art

Textiles and Fibre Art

Pattern and texture exploration

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Pattern and texture exploration

Pattern Exploration

  • Pattern refers to an arrangement of shapes, lines, and colours, forming a consistent or predictable sequence in a work of art.
  • Patterns can be geometric (like rhombuses, squares, and circles) or organic (more irregular and complex like the patterns found in nature).
  • Motifs are smaller designs repeated to form a pattern. They can be simple or complex and used to evoke certain moods or themes.
  • Artists can create pattern through a variety of techniques, including printing, dying, and embroidery.
  • Balance and rhythm are essential aspects of successful patterns in textile design. Entries should be aware of how elements like colour, size, and shape interact and relate to each other.

Texture Exploration

  • Texture in textile art refers to the tactile quality of a surface or the perceived feeling of a design.
  • Texture can be actual, created through elements like embroidery, appliqué, or quilting, or implied, created through visual techniques in dyeing or printing.
  • There are many different textures in textiles, including rough, smooth, soft, or bumpy.
  • Texture adds depth and interest in a textile piece. It can be used to draw attention to specific areas or create a particular mood or tone.
  • Through exploring various manipulation techniques, artists can achieve a wide range of textures in their work.

Pattern and Texture Integration

  • Successful textile design often involves the effective integration of pattern and texture.
  • By combining these elements, artists can create depth, movement, and visual interest.
  • Depending on the final application of the fabric, different combinations of pattern and texture will be required. For example, a delicate and intricate pattern might work better with a smoother texture for garments.
  • Consideration should be given to the relationship and balance between pattern and texture in the work. Different combinations can dramatically change the overall aesthetic and functionality of a piece.

Interactive Pattern and Texture Techniques

  • Exploring techniques such as beading, free-motion stitching, fusing, burning, and trapunto can add layers of interactivity to textile designs.
  • Changes in texture achieved via these techniques can enhance or reduce the dominant nature of a pattern.
  • It's important to always consider the tactility and durability of the materials when applying interactive techniques, as this can impact the overall lifecycle of a piece.
  • Experimentation is encouraged in interactive pattern and texture techniques. Constant exploration and manipulation of traditional methods can result in unique and innovative textile patterns.

Course material for Fine Art, module Textiles and Fibre Art, topic Pattern and texture exploration

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