GCSE Fine Art WJEC

This subject is broken down into 8 topics in 1 modules:

  1. Fine Art 8 topics
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This page was last modified on 28 September 2024.

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Fine Art

Fine Art

Fine Art: Drawing

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Fine Art: Drawing

Section: Basic of Drawing

  • Drawing is a fundamental skill in fine art. It involves creating pictures on surfaces using lines or marks.
  • Materials used in drawing can range from graphite pencils, charcoal, coloured pencils, to chalks and inks.
  • The basis for successful drawing lies in observation. Careful observation of the subject matter is vital in bringing out the details and establishing proportions correctly.

Section: Elements of Drawing

  • Line is an important element of drawing. Lines define shapes and provide the framework for your drawing.
  • Shape and form refer to the area enclosed by lines. Shapes are two-dimensional (length and width), while forms are three-dimensional (length, width and depth).
  • Texture in drawing refers to the perceived surface quality of your work. It could be implied by using lines and shading.
  • Perspective in drawing provides the illusion of depth and distance. It's what makes a two-dimensional drawing appear three-dimensional.
  • Shading or value deals with the lightness or darkness of areas in a drawing. It helps in creating depth and dimension.

Section: Techniques in Drawing

  • Stippling entails creating a pattern using small dots to suggest depth and form.
  • Hatching and cross-hatching involve creating density and shadow using repetitive lines.
  • Blending is a technique used to produce smooth transitions between tones.
  • Scumbling is a method where a thin or broken layer of colour is brushed over another colour.

Section: Styles in Drawing

  • Realistic style involves creating drawings that are highly detailed and closely resemble real-life objects.
  • Abstract style doesn't try to represent an accurate depiction of reality. Instead, it uses shapes, colours, forms and gestural marks to achieve its effect.
  • Surrealist style is characterised by bizarre, dream-like imagery.
  • Cubist style abstracts form by viewing the subject from multiple viewpoints simultaneously.

Section: Evaluating Drawings

  • When evaluating a drawing, composition, proportions, use of space, balance of elements, and use of shading or colour should be considered.
  • Personal interpretation and style also play a big role in the value of a drawing.
  • Being able to constructively critique your own work or the work of others is an important skill in fine art.

Course material for Fine Art, module Fine Art, topic Fine Art: Drawing

Fine Art

Fine Art

Fine Art: Land Art

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Fine Art: Land Art

Section: Understanding Land Art

  • Land Art is an art movement that emerged in the 1960s, which involved the creation of art directly in the landscape.
  • The movement was developed by artists who wanted to escape the confines of traditional studio spaces and make art that was harmonious with nature.
  • Some common natural materials used in creating Land Art include rocks, soil, water, and vegetation. The end result is usually an outdoor artwork that blends with the natural landscape.

Section: Techniques in Land Art

  • Site Selection is one of the first steps in creating Land Art; artists must choose a suitable location in the natural environment that complements their concept.
  • Manipulating the Environment involves physically altering the landscape to create an art piece. This could mean moving rocks, digging holes, or planting vegetation.
  • Land Art can also include ephemeral elements, which are features designed to change naturally over time such as creating patterns in sand more likely to be erased by incoming tide.

Section: Notable Artists and Works of Land Art

  • Andy Goldsworthy is a renowned British artist known for his ephemeral works in Land Art, which often involve arranging leaves, ice, rocks, or other elements into patterns or structures.
  • Robert Smithson was a notable American artist who made significant contributions to Land Art. His most famous work, Spiral Jetty, was a long coil made of rocks and earth built into the Great Salt Lake in Utah, USA.

Section: Criticism and Impact of Land Art

  • It is important to understand that Land Art received both praise and criticism. Some people praised the return to nature and the breaking down of the barrier between art and the environment, others criticised it for potentially being harmful to the environment.
  • Despite the criticisms, Land Art has had a significant impact on the art world by challenging the traditional views about where and how art should be created and displayed.

Section: Evaluating Land Art

  • In examining Land Art, considerations might include the interaction with the landscape, how the work changes over time, and the creative use of natural materials.
  • Art critique might also make note of the scale and how it contributes to the artwork's impact.
  • The artist's intent and message also contribute to the interpretation and evaluation of Land Art. What might the artist be saying about our relationship with nature, or about issues like climate change and environmental destruction?

Course material for Fine Art, module Fine Art, topic Fine Art: Land Art

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