Level 3 Graphic Communication Edexcel

This subject is broken down into 40 topics in 4 modules:

  1. Module: Design and Visual Communication 10 topics
  2. Module: Branding and Identity 10 topics
  3. Module: Advertising and Marketing Collaterals 10 topics
  4. Module: Interactive and Motion Graphics 10 topics
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  • 4
    modules
  • 40
    topics
  • 15,814
    words of revision content
  • 2+
    hours of audio lessons

This page was last modified on 28 September 2024.

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Graphic Communication

Module: Design and Visual Communication

Understanding of colour theory

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Understanding of colour theory

Basic Colour Theory

  • The principle of colour theory is based on the colour wheel, which includes three primary colours - red, yellow, and blue.
  • Secondary colours are created by mixing equal amounts of primary colours together, and they are green, orange, and purple.
  • Tertiary colours are the result of mixing a primary colour with an adjacent secondary colour.

Complementary Colours

  • Complementary colours are directly opposite on the colour wheel, such as red and green, blue and orange, or yellow and purple.
  • Complementary colours, when used together in designs, create strong contrasts and can be visually striking.

Colour Harmonies

  • Analogous colours are groups of three colours that are next to each other on the colour wheel. One is dominant, one is supportive, and the third can be an accent.
  • Triadic colour scheme uses colours that are evenly spaced around the colour wheel. This scheme is vibrant and offers a higher contrast while maintaining harmony.
  • Split-complementary is a variation of the complementary colour scheme in which it uses a base colour and two colours adjacent to its complement.

Colour and Mood

  • Warm colours, like red, orange, and yellow, are often associated with energy, brightness, and action.
  • Cool colours, like blue, green, and purple, usually suggest calm and soothing feelings.
  • Neutral colours, such as black, white, grey, and brown, often serve as the backdrop in design.

Understanding Colour in Visual Communication

  • Choice of colour can dramatically impact the perception and emotional response of viewers.
  • Overlapping colour elements can be used to create depth or to establish a hierarchy of importance in design.
  • Saturated colours can make something stand out and appear closer, while desaturated colours make things look receding and distant.

Colour Terminology

  • Hue is the name of the colour and is the primary value that describes how a colour appears under natural light.
  • Saturation refers to the intensity or purity of a colour.
  • Value refers to the lightness or darkness of a colour.
  • Tone is created by adding grey to a colour.
  • Shade describes a range of colours from dark to light by adding white or black to a colour.
  • Tint is the result of adding white to a colour, making it lighter.

These key aspects of colour theory form essential building blocks for effective visual communication in graphic design. Understanding and employing them consciously in your designs will allow you to evoke the desired emotion or reaction from your audience.

Course material for Graphic Communication, module Module: Design and Visual Communication, topic Understanding of colour theory

Graphic Communication

Module: Advertising and Marketing Collaterals

Design of advertisements for print, digital, social media etc.

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Design of advertisements for print, digital, social media etc.

Advertising Design Principles

  • Understand the target audience, including their needs, wants, and media consumption habits.

  • Focus on the unique selling proposition (USP) to differentiate the product or service from the competition.

  • Ensure the message is clear and concise. Avoid cluttering the design with too much information.

  • Use strong, action-orientated headlines to attract attention and stimulate interest.

  • Implement the AIDA model (Attention, Interest, Desire, Action) in ad design for effective communication.

Print Advertisements

  • Pay attention to the physical dimensions of the ad. Print ads can come in various sizes from full-page to quarter-page, or smaller.

  • Use high-resolution images to ensure the design looks crisp and professional in print.

  • Choose colours carefully. Consider how they might look when printed, particularly with regard to contrast and visibility.

  • Incorporate copy text is not merely informational; it should be persuasive and engaging.

  • Consider including a call to action, such as a website URL or phone number.

Digital Advertisements

  • Measure size in pixels for digital platforms, keeping in mind the variety of devices your ad might appear on – laptops, tablets, mobiles etc.

  • Make use of interactive elements such as clickable links, buttons and forms.

  • Use animation or motion graphics judiciously to engage viewers without being overly distracting.

  • Make sure your design is optimised for load time. Heavy graphics can slow webpage load time which can turn users away.

Social Media Advertisements

  • Understand the specific requirements of each platform. For instance, Instagram favours square images, whereas banner images are popular on Twitter.

  • Use relevant hashtags judiciously to increase visibility and engagement.

  • Engage with your audience through comments and direct messages, where appropriate, to build relationships.

  • Test different content types like image posts, video posts, or stories to see what resonates best with your audience.

  • Track your performance with analytics, adjust your strategy based on data to optimise ad performance.

Course material for Graphic Communication, module Module: Advertising and Marketing Collaterals, topic Design of advertisements for print, digital, social media etc.

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