A Level Drama and Theatre Eduqas

This subject is broken down into 572 topics in 22 modules:

  1. Accidental Death of an Anarchist 26 topics
  2. Cat on a Hot Tin Roof 26 topics
  3. A Day in the Death of Joe Egg 26 topics
  4. An Enemy of the People 26 topics
  5. A View from the Bridge 26 topics
  6. Hedda Gabler 26 topics
  7. Live Theatre Production 26 topics
  8. Love and Information 26 topics
  9. Love Song 26 topics
  10. Machinal 26 topics
  11. Mametz 26 topics
  12. Medea 26 topics
  13. One Moonlit Night 26 topics
  14. Saved 26 topics
  15. Sweeney Todd 26 topics
  16. The Absence of War 26 topics
  17. The Comedy of Errors 26 topics
  18. The Curious Incident of the Dog in the Night Time 26 topics
  19. The Maids 26 topics
  20. The Radicalisation of Bradley Manning 26 topics
  21. The Woman made of Flowers 26 topics
  22. Ubu Roi 26 topics
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  • 22
    modules
  • 572
    topics
  • 206,556
    words of revision content
  • 26+
    hours of audio lessons

This page was last modified on 28 September 2024.

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Drama and Theatre

Accidental Death of an Anarchist

Accidental Death of an Anarchist: genre

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Accidental Death of an Anarchist: genre

Genre Characteristics

  • Political Farce: Accidental Death of an Anarchist is considered a political farce, as it combines humour and satire to critique and expose corruption within society, specifically in regards to the police and judiciary.
  • Commedia dell’arte: Dario Fo was heavily influenced by this Italian form of theatre, known for its stock characters and improvised performances. This can be seen in the Maniac's use of multiple disguises and exaggerated physical comedy.
  • Agitprop: A form of political propaganda in art or literature, Agitprop theatre was used to incite change and spur reaction from its audiences. The play uses farce and satire to highlight serious political issues and encourage action.

Fo's Style

  • Farce and Satire: Fo uses these stylistic devices to ridicule the powerful and highlight their abuses. This is depicted through the absurdity of the police's cover-ups and the Maniac's manipulation of them.
  • Bad Taste Humour: To undermine the gravity of the institutions he criticises, Fo employs crude and 'bad taste' humour. This can be seen in the humorous portrayal of serious matters such as the policeman's defenestration.
  • Improvisation: In line with commedia dell'arte traditions, Fo's scripts are often viewed as blueprints with sections encouraged to be improvised. Actors should feel empowered to adapt dialogue and action to suit the political climate of their performance.

Interpretation of the Play

  • Social and Political Commentary: The humour and farce of the play serve to comment on real incidents and critique the Italian government, judiciary, and police.
  • Historical Significance: The play references the real incident of Giuseppe Pinelli's death and the subsequent cover-ups, corrupt practices, and incompetence of authorities.
  • Exposing Corruption: The overriding focus is to expose corruption within society. This is achieved through the exaggerated portrayal of police officers and their inability to maintain their constructed narratives.

Course material for Drama and Theatre, module Accidental Death of an Anarchist, topic Accidental Death of an Anarchist: genre

Drama and Theatre

Medea

Medea: genre

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Medea: genre

Medea: Genre

Tragedy and Greek Tragedy

  • Medea is typically classified as an ancient Greek tragedy, a genre where characters encounter a series of misfortunes leading to a disastrous outcome.
  • Greek tragedies normally follow a respected individual who falls from grace due to circumstance and/or their own failings.
  • Catharsis, the purging of emotions or relieving of emotional tension, often through pity and fear, is a fundamental aspect of Greek tragedies. Medea's actions invoke these emotions, fulfilling this criterion of tragedy.

Euripides' Innovation

  • Euripides, the author of Medea, is known for his innovation within the Greek tragedy genre, often featuring realistic characters and challenging societal norms.
  • In Medea, Euripides subverts the typical role of women in ancient Greek society by presenting Medea as the manipulative and commanding protagonist, contrary to the obedient and passive role expected of women.

Use of the Chorus

  • Traditional Greek tragedies often include a chorus that would comment on the action and provide a moral viewpoint. In Medea, the chorus is composed of Corinthian women who sympathise with Medea's plight, but criticise her gruesome revenge.

Satyr Play

  • While Medea is primarily a tragedy, Euripides incorporates elements of satyr play, a subgenre of Greek drama, which typically involved bawdy humour and supernatural elements. This is noticeable particularly when Medea utilises potions and incantations, reflecting the satirical undertone.

Political Drama

  • Medea can also fall into the category of political drama, as it reflects on the conflicts between different nations and classes in ancient Greece, drawing upon the tensions between the public and private, and male and female roles.

Domestic Tragedy

  • The play also presents elements of domestic tragedy, a genre that portrays tragic events affecting ordinary people. This is particularly noticeable in the intimate and familial conflicts involving Medea and her personal relationships.

Course material for Drama and Theatre, module Medea, topic Medea: genre

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