A Level English Literature SQA

This subject offers 41 topics in 4 modules:

  1. A Thousand Splendid Suns 6 topics
  2. Literary Study 15 topics
  3. Atonement 6 topics
  4. Textual Analysis 14 topics
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This page was last modified on 28 September 2024.

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English Literature

Literary Study

Literary Analysis Techniques

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Literary Analysis Techniques

Imagery

  • Imagery: Use of vivid and descriptive language to create sensory experiences.
  • Visual Imagery: Descriptions that create pictures in the mind's eye.
  • Auditory Imagery: Evokes sounds through language.
  • Olfactory Imagery: Appeals to the sense of smell.
  • Gustatory Imagery: Related to taste.
  • Tactile Imagery: Concerning touch and physical textures.

Symbolism

  • Symbolism: The use of symbols to represent ideas or qualities beyond their literal sense.
  • Common Symbols: Examples include the dove for peace, the snake for evil, and water for life.
  • Contextual Symbolism: Symbols that gain significance within the specific context of the work.

Structure and Form

  • Form: The overall structure and style of a work.
  • Prose: Ordinary written or spoken language without metrical structure.
  • Poetry: Writing that uses distinctive style and rhythm.
  • Free Verse: Poetry that lacks a consistent rhyme scheme or metrical pattern.
  • Sonnet: A 14-line poem typically written in iambic pentameter.
  • Narrative Structure: The ordered sequence of events that make up the story.
  • Linear Narrative: Chronological order of events.
  • Non-linear Narrative: Events are portrayed out of chronological order.

Characterisation

  • Characterisation: Techniques used to develop characters and their personalities.
  • Direct Characterisation: Explicit descriptions of a character’s traits.
  • Indirect Characterisation: Revealing character traits through actions, dialogue, and interactions.
  • Dynamic Character: Characters who undergo significant change.
  • Static Character: Characters who remain the same throughout the work.
  • Protagonist: The main character.
  • Antagonist: The character who opposes the protagonist.

Themes and Motifs

  • Theme: The central topic or underlying message.
  • Motif: A recurring element that has symbolic significance in a story.
  • Universal Themes: Themes that transcend culture and time, like love, conflict, and growth.
  • Major vs. Minor Themes: Major themes are central to the plot, while minor themes complement or support the major themes.

Tone and Mood

  • Tone: The author’s attitude towards the subject or audience.
  • Mood: The feeling or atmosphere that a piece of writing evokes.
  • Creating Tone: Through word choice, dialogue, and punctuation.
  • Establishing Mood: Use of setting, imagery, and diction.

Literary Devices

  • Simile and Metaphor: Comparing two things ('like' or 'as' for similes; direct comparison for metaphors).
  • Alliteration and Assonance: Repetition of consonant sounds and vowel sounds, respectively.
  • Hyperbole: Exaggeration for emphasis or effect.
  • Irony: The expression of meaning through language that signifies the opposite.
  • Foreshadowing: Hinting at events to come.
  • Personification: Giving human characteristics to non-human entities.
  • Allusion: An indirect reference to another literary work or historical event.

Context and Interpretation

  • Historical Context: The time period and historical events surrounding the text’s creation.
  • Cultural Context: The social conditions, norms, and values of the time and place in which the text was written.
  • Author’s Background: Understanding the author’s life can provide insight into the text.
  • Intertextuality: The relationship between texts and how they refer to each other.

Critical Perspectives

  • Marxist Criticism: Examines class conflict and societal structures.
  • Feminist Criticism: Explores gender dynamics and representation.
  • Psychoanalytic Criticism: Analyses characters and narrative through psychological theories, particularly those of Freud.
  • Postcolonial Criticism: Investigates the impact of colonialism and cultural identity.

Course material for English Literature, module Literary Study, topic Literary Analysis Techniques

English Literature

Textual Analysis

Analyzing Narrative Voice and Point of View

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Analyzing Narrative Voice and Point of View

Narrative Voice

  • Narrative voice is the unique tone and style adopted by the narrator.
  • First-person narrative uses "I" or "we," offering a subjective perspective.
  • Third-person limited focuses on the thoughts and feelings of one character, providing insight without complete omniscience.
  • Third-person omniscient offers a god-like perspective, knowing thoughts and events beyond any single character.
  • Second-person narrative addresses the reader directly using "you," creating an immersive experience.
  • Consider how the narrative voice influences the reader's connection with characters and events.
  • Unreliable narrators can distort reality, prompting readers to question the truth.

Point of View

  • Point of view (POV) determines the angle and perception from which the story is told.
  • First-person POV creates an intimate connection but limits the information to what the narrator knows.
  • Third-person limited POV restricts insight to one character, maintaining the narrator's distance while focusing on a specific viewpoint.
  • Third-person omniscient POV provides a broader scope, depicting multiple characters' insights and a fuller understanding of the plot.
  • Multiple POVs allow various character perspectives, offering a multi-dimensional narrative.
  • Analyse how shifts in point of view affect the storyline's reliability and depth.

Techniques and Effects

  • Consider how the choice of narrative voice and POV shapes the reader’s perception.
  • A detached narrator can create emotional distance in the narrative.
  • Close narration provides intimate insight into characters' thoughts and feelings.
  • Stream of consciousness mimics natural thought processes, offering an unfiltered narrative experience.
  • Examine how narrative voice and POV contribute to themes, such as trust, reality, and bias.
  • Identify moments where the narrative voice reveals character traits or underlying motives.

Examples in Literature

  • First-person limited: Charlotte Brontë’s "Jane Eyre" offers an intimate look at Jane's experiences and thoughts.
  • Third-person omniscient: Leo Tolstoy’s "War and Peace" presents a vast array of characters and their inner workings.
  • Unreliable narrator: Kazuo Ishiguro’s "The Remains of the Day" challenges readers to discern truth through the biased perspective of the butler Stevens.
  • Recognise how different works utilise narrative techniques to enhance the storytelling.

By understanding how narrative voice and point of view function within a text, one can better appreciate the nuances of the narrative structure and the author's intent.

Course material for English Literature, module Textual Analysis, topic Analyzing Narrative Voice and Point of View

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