A Level Film Studies WJEC

This subject is broken down into 43 topics in 10 modules:

  1. Section 1A: Classical Hollywood Film (1930-1960) 4 topics
  2. Section 1A: New Hollywood Film (1961-1990) 4 topics
  3. Section 1B: Mainstream Film (Since 2005) 5 topics
  4. Section 1B: Contemporary Independent Film (Produced After 2010) 5 topics
  5. Section 1C: Brittish Film Since 1995 (Two-Film Study) 5 topics
  6. Section 2A: A Global Film - European Film 3 topics
  7. Section 2A: A Global Film - Outside Europe 3 topics
  8. Section 2B: Documentary Film 5 topics
  9. Section 2C: Film Movements - Silent Cinema 4 topics
  10. Section 2D: Film Movements - Experimental FIlm (1960-2000) 5 topics
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  • 43
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  • 15,396
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This page was last modified on 28 September 2024.

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Film Studies

Section 1A: Classical Hollywood Film (1930-1960)

The Key Elements of Film Form

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The Key Elements of Film Form

The Basics of Film Form

  • Film form refers to the technical elements that make up a film, including lighting, sound, mise-en-scene, editing, and cinematography.
  • Mise-en-scene comprises everything that appears in the frame and how those elements are arranged.
  • Cinematography refers to the process of capturing moving images on film or some other medium. It involves elements such as shot types, camera angles, movement and composition.
  • Sound in films includes diegetic sound (sounds within the world of the film) and non-diegetic sound (sounds added in post-production).
  • Editing involves cutting, sequencing and manipulating the film sequences to manage the pace and narrative.

Film Form in Classical Hollywood Cinema

  • Classical Hollywood films typically followed the principle of continuity editing, ensuring that the audience always knew where they were in the narrative.
  • Lighting tended to be three-point lighting, with key light, fill light, and back light to create a naturalistic look.
  • Cinematography favoured a deep focus, where the foreground, middle-ground and background are all in focus.
  • Sound often used a leitmotif - repeated music associated with a particular character, idea or location.
  • Mise-en-scene often adopted a realist aesthetic, even when the narrative was fantastical.

Narrative and Style in Classical Hollywood Cinema

  • Classical films adhered to a linear narrative with a clear beginning, middle, and end.
  • Events were often driven by character goals, with a central protagonist who undergoes some kind of change by the end (a character arc).
  • There was often a clear distinction between good and evil, with characters falling clearly within these categorisations (binary oppositions).
  • Classical Hollywood style seeks to be invisible, prioritising the smooth telling of the narrative rather than drawing attention to the filmmaking techniques.

Context of Classical Hollywood Cinema

  • These films were produced during the Studio System era (roughly 1930-60), where the 'Big Five' studios (MGM, Paramount, Fox, Warner Bros. and RKO) controlled all aspects of the film-making process.
  • This was essentially factory production, with each studio having a recognisable house style and stable of contract actors.
  • The films explored themes relevant to the times and often reflected American values and ideology of the period. Cultural, social, political context is crucial to understanding these films.

Remember, thorough understanding of these elements will deepen your comprehension of film form and aid your analysis in any film critique or discussion.

Course material for Film Studies, module Section 1A: Classical Hollywood Film (1930-1960), topic The Key Elements of Film Form

Film Studies

Section 1C: Brittish Film Since 1995 (Two-Film Study)

Ideology

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Ideology

Understanding Ideology in Film

Defining Ideology

  • An ideology is a system of ideas and ideals, especially ones that form a societal or political theory and policy.

  • It's essential to recognise that all films express an ideology. They reflect the cultural, societal, and political context in which they are created.

Reading Ideology in Film

  • Films can express, question, or critique an ideology. This might be done subtly, or it could be the film’s primary theme.

  • Representation is a key aspect of ideology in film. Consider how different groups (like class, ethnicity, gender, or age) are represented and what commentary the film might be making.

  • Consider the perspective from which the story is told (whose voice and viewpoint) and what this reveals about the film's ideology.

Ideology and Film Studies

  • It's also important to be aware of your own ideological lens when analysing a film. Your interpretation of a film’s ideology can be influenced by your own beliefs and values.

  • Remember, ideology is not a 'hidden message' but an inherent aspect of every film’s creation and reception.

Parallel with Four Key Areas of Film

  • The ideology of a film often interacts with the Four Key Areas (Cinematography, Mise en scène, Editing, and Sound). This interaction can reinforce or dispute the film's ideological perspective.

  • Critically engaging with a film’s ideology can provide a deeper understanding of its cultural and societal significance.

Always approach a film with an open mind. Be prepared to identify and question the ideologies at play, and consider how they interact with other elements of film form. Applying this level of analysis will greatly enrich your film studies revision.

Course material for Film Studies, module Section 1C: Brittish Film Since 1995 (Two-Film Study), topic Ideology

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