Higher Media SQA

This subject is broken down into 34 topics in 10 modules:

  1. Media Content Analysis 4 topics
  2. Media Industries 4 topics
  3. Media Role and Influence in Society 4 topics
  4. Creation and Production 4 topics
  5. Film 3 topics
  6. Television 3 topics
  7. Radio 3 topics
  8. Print 3 topics
  9. Digital Media 3 topics
  10. Advertising and Public Relations 3 topics
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  • 34
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  • 12,803
    words of revision content
  • 1+
    hours of audio lessons

This page was last modified on 28 September 2024.

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Media

Media Content Analysis

Media content and context

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Media content and context

Understanding the Basics of Media Content and Context

  • Media content often refers to the actual text within any form of media product, including visual, audio, and textual elements.
  • The context often refers to the circumstances or setting in which a media product is produced and consumed.
  • It's essential to analyse both the content and context to gain a full understanding of a media product's meaning.

Identifying Key Elements in Media Content Analysis

  • Analysis of narrative structure can help uncover the underlying messages or themes in a media product.
  • Genre conventions are typical characteristics or elements that define a media product's genre. Recognising these can provide insights into the product's intended audience.
  • Analysis of characterisation and representation can show how different groups or ideas are portrayed in a media product.
  • Language, codes and conventions within a media product can also contribute to its overall message and impact.

Understanding the Importance of Context in Media Analysis

  • The historical context of a media product can influence its content significantly and impact how it's perceived by audiences.
  • Cultural context can shape the focus and interpretations of media content, often reflecting societal beliefs and values at the time of production.
  • The political and economic contexts in which a media product is created can affect its content and distribution.
  • Understanding the mode of production (commercial, public, community, etc.) can shed light on the potential influences and constraints affecting the media product's content.

Techniques for Media Content Analysis

  • Semiotic analysis explores the uses of signs and symbols within the media product.
  • Discourse analysis provides insight into the way language is used to construct meaning in a media product.
  • Using content analysis helps quantify and categorise specific characteristics or elements present in a media product.

Reflecting on Media Consumers and their Influence

  • Consideration of the active audience theory recognises that audiences are not just recipients of media content, but active interpreters.
  • Appreciation of receivership patterns enables understanding of how different demographics consume and respond to media.
  • Reflection on uses and gratifications offers insight into why audiences consume certain media products and what they get out of them.

By understanding these key elements of media content analysis, you are equipping yourself to critically analyse and understand the wide spectrum of media content you engage with on a daily basis. Engaging with this material can be more than just a passive experience, as you gain the tools to actively analyse and question what you are presented with.

Course material for Media, module Media Content Analysis, topic Media content and context

Media

Film

Film styles and movements

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Film styles and movements

Film Styles and Movements

Expressionism

  • Originating in Germany in the 1920s, Expressionism uses stylistic distortions to express emotional states or ideas.
  • Celebrated for its highly atmospheric and symbolic visuals, The Cabinet of Dr Caligari is a notable example of this style.

Surrealism

  • Surrealism, an avant-garde movement in the 1920s, goes beyond normal reality to showcase irrational, dreamlike images and bizarre juxtapositions.
  • Un Chien Andalou by Luis Bunuel and Salvador Dali is a surrealistic masterpiece.

French New Wave

  • In the late 1950s and ’60s, the French New Wave brought innovative and unconventional techniques such as jump cuts, on-location shooting, and improvised dialogue.
  • Jean-Luc Godard's Breathless is hailed as a defining French New Wave film.

Italian Neorealism

  • Italian Neorealism of the 1940s and ’50s is known for its stories about the poor and the working class, often filmed on location with non-professional actors.
  • Bicycle Thieves directed by Vittorio De Sica is a classic example of this style.

New Hollywood

  • The New Hollywood movement in American film, dating from the 1960s to the early ’80s, introduced a greater freedom in storytelling, characterized by innovative and introspective voices.
  • Landmark films from this movement include Easy Rider, The Godfather, and Apocalypse Now.

Dogme 95

  • The Dogme 95 movement started in Denmark in 1995 with a manifesto by Lars von Trier and Thomas Vinterberg, which insisted on stripping away all artifice from film production, focusing on story and performances.
  • Vinterberg's film The Celebration is a well-known Dogme 95 film.

Mumblecore

  • From the early 2000s, Mumblecore is defined by its low-budget production, naturalistic dialogue, and focus on the personal relationships of characters in their twenties and thirties.
  • Director Andrew Bujalski's film Funny Ha Ha is often considered the first Mumblecore film.

Digital Revolution

  • The Digital Revolution, starting in the 1990s, saw the introduction of digital technology in the whole film production process, bringing about a new era of independent and experimental cinema.

Course material for Media, module Film, topic Film styles and movements

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