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Listening: Section A
Arcangelo Corelli - Concerto Grosso Op. 6 No. 8 (‘Christmas’)
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Arcangelo Corelli - Concerto Grosso Op. 6 No. 8 (‘Christmas’)
Background
- Arcangelo Corelli was an important Italian composer during the Baroque era.
- The Concerto Grosso Op. 6 No. 8 (also known as the 'Christmas Concerto') is one of his most famous works.
- It is written for a group of concertino soloists (two violin and cello) and a ripieno which is the string orchestra and continuo.
Structure
- The Christmas Concerto is structured in a 12-movement cycle which differs from the usual concerto grosso form.
- Each movement varies in tempo and mood, creating a rich tapestry of contrasts.
Movements
- The opening Vivace-Grave is a French Overture style piece.
- Movements IV (Allegro) and VI (Largo-Pastorale ad libitum) showcase Corelli’s expertise in fugal writing.
- Movement VIII (Allegro) uses a circle of fifths sequence, a common Baroque compositional technique.
- The final movement, Pastorale ad libitum, portrays shepherds announcing the birth of Christ, staying true to the Christmas theme.
Melody & Harmony
- Corelli was known for his beautiful melodic lines, and this is prevalent in the Christmas Concerto.
- The suspension is a frequent feature, giving the music a gentle flowing quality.
- Corelli also makes use of sequencing to expand his melodic ideas.
- The harmonic language is firmly rooted in common practice tonality with a clear tonal centre.
Texture & Timbre
- The contrasting textures between the solo concertino and the tutti ripieno is a key feature of the Christmas Concerto.
- Alternating between solo and full instrumental forces creates a contrapuntal texture.
- The trio is scored for two violins and continuo, giving it a unique timbre.
- The continuo part is often realized by the harpsichord, contributing to the distinctive Baroque timbre.
Rhythm & Tempo
- Corelli uses dotted rhythms often, establishing a sense of grandeur and stateliness.
- The varying tempos across the twelve movements contribute to the concerto's dramatic structure.
- The final Pastorale movement is in a slower tempo, capturing a pastoral scene.
Each of these points should inform your understanding of Concerto Grosso Op. 6 No. 8 and enhance your critical listener skills. Remember, it's not just about recalling facts, but about analysing and interpreting the music. Happy revision!