Level 3 Music Technology BTEC

This subject is broken down into 119 topics in 16 modules:

  1. Live Sound 8 topics
  2. Studio Recording Techniques 12 topics
  3. Music and Sound for Media 7 topics
  4. Music Technology Project 14 topics
  5. Creative Synthesis and Sampling 7 topics
  6. Composing Music 6 topics
  7. Remixing and Reworking 8 topics
  8. DJ Performance Techniques 9 topics
  9. Music Technology in Performance 6 topics
  10. Mixing and Mastering Techniques 6 topics
  11. Studio Design and Acoustics 5 topics
  12. Music Investigation 9 topics
  13. Commercial Music Production 5 topics
  14. Music Technology and Musicianship 7 topics
  15. Working and Developing as a Production Team 3 topics
  16. Designing a Music Technology Product 7 topics
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  • 16
    modules
  • 119
    topics
  • 45,466
    words of revision content
  • 5+
    hours of audio lessons

This page was last modified on 28 September 2024.

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Music Technology

Live Sound

FOH, Monitor and Input Equipment Used in Live Sound

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FOH, Monitor and Input Equipment Used in Live Sound

Front of House (FOH) Equipment

  • FOH Console: This large, complex device is where the front-of-house engineer mixes the sound that the audience hears.

  • Speakers: High-quality speakers deliver a clear, loud sound throughout the venue.

  • Amplifiers: These boost the audio signal power before it reaches the speakers.

  • Microphones: These convert the sound waves into an electronic signal to be amplified and processed.

  • Equalisers (EQs): EQs serve to balance the distribution of frequencies so that the sound is pleasing to the ear.

  • Dynamic range processors: This includes parts like compressors, limiters, gates and expanders which handle variations in loudness.

  • Effects units: These modify the sound in some way e.g. reverb, delay, flanging or chorus effects.

Monitor Equipment

  • Monitor Desk: This is a separate control surface that produces a stage mix for the band members to hear.

  • In-Ear Monitors (IEMs): These are earphones that provide each musician with a personalised mix, and can prevent hearing damage from loud stage volumes.

  • Stage monitors: These are loudspeakers placed on stage facing the band, also known as floor monitors or foldback speakers.

  • Wireless monitor systems: These receive the stage mix wirelessly and send it to the IEMs or stage monitors.

Input Equipment

  • Direct Inject (DI) boxes: These are used to connect high-impedance, unbalanced output signals of a musical instrument directly into a mixing console.

  • Microphones: A variety of different types (e.g. dynamic, condenser, ribbon) and pickup patterns (e.g. cardioid, omnidirectional, supercardioid) to best capture each individual sound source.

  • Cables and Connections: XLR and Jack cables most common for audio signals, CAT5/6 for digital signals. Balanced cables are used for microphone and line-level connections, to reduce noise and interference.

  • Stands and mounts: Microphone stands, boom arms, and various specialised clamps or mounts are used to correctly position microphones in relation to the sound source.

  • Drum mics and clips: Specific microphones and mounting devices designed for close-miking drums and other percussion instruments, which can cope with very high sound pressure levels.

Course material for Music Technology, module Live Sound, topic FOH, Monitor and Input Equipment Used in Live Sound

Music Technology

Remixing and Reworking

Planning and Preparing for a Remix

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Planning and Preparing for a Remix

Understanding the Original Track

  • It's important to have a deep understanding of the original track as the first step of the remixing process. Listen to the track multiple times, focusing on tiny intricacies hidden within.
  • Identify the key elements that make the track unique such as melody lines, chord progressions and the vocal performance. These are potential elements to retain in the remix.
  • Understand the genre and culture of the original track. This may help retain some of its essence in the remix.

Drawing a Plan

  • Instead of diving right into the remixing process, it's advantageous to draft a plan. This includes a rough structure of the remix, what to add, what to remove, and possible changes that can be made.
  • Decide on the style of the remix. The genre could either be similar to the original track or could be a completely different genre to provide an unexpected twist.
  • Sketch out potential rearrangements of the song structure itself. Some sections could be extended, removed, or repeated to create a different vibe from the original.

Gathering Samples and Sounds

  • Start gathering the necessary samples and instruments that fit the style or genre of the intended remix. Remember, the choice of sounds and samples hugely impact the character of the final remix.
  • Gather more materials than needed. It's better to have a wide palette to choose from during the creation process.
  • Consider re-recording certain parts of the song. This can breathe new life into the original track and make the remix more personal.

Preparing the DAW Workspace

  • Before starting the remix, it's helpful to organise the DAW (Digital Audio Workstation) workspace to streamline the workflow and maintain a clean, inspiring environment.
  • Import the original track and align it with the tempo grid of your DAW. This makes it easier to manipulate and work with throughout the remix.
  • If stems from the original track are available, import and organise them in the DAW. This provides more detailed control over individual parts of the track for the remix.

Other Considerations

  • Always bear in mind the purpose of the remix. Whether it's aimed for a different target audience, a different setting or simply an avenue for artistic expression, this can guide creative decisions.
  • The rules for remixing are malleable and creativity should be given full reign. Don't hesitate to experiment with different techniques and approaches.
  • Finally, remember to enjoy the process. Remixing is, at its heart, about reimagining music and having fun with the creative process. Embrace the challenge and let your creativity shine!

Course material for Music Technology, module Remixing and Reworking, topic Planning and Preparing for a Remix

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