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A Level Drama and Theatre WJEC

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Content Overview

338 topics in 13 modules

  1. ☑️ A Day in the Death of Joe Egg 26 topics
    • A Day in the Death of Joe Egg: genre
    • A Day in the Death of Joe Egg: structure
    • A Day in the Death of Joe Egg: characters
    • A Day in the Death of Joe Egg: form
    • A Day in the Death of Joe Egg: style
    • A Day in the Death of Joe Egg: language
    • A Day in the Death of Joe Egg: sub-text
    • A Day in the Death of Joe Egg: character motivation and interaction
    • A Day in the Death of Joe Egg: creation of mood and atmosphere
    • A Day in the Death of Joe Egg: development of pace and rhythm
    • A Day in the Death of Joe Egg: dramatic climax
    • A Day in the Death of Joe Egg: stage directions
    • A Day in the Death of Joe Egg: social context
    • A Day in the Death of Joe Egg: cultural context
    • A Day in the Death of Joe Egg: historical context
    • A Day in the Death of Joe Egg: theatrical conventions of the period
    • A Day in the Death of Joe Egg: performance conventions
    • A Day in the Death of Joe Egg: use of performance space
    • A Day in the Death of Joe Egg: relationships between performers and audience
    • A Day in the Death of Joe Egg: Prop design
    • A Day in the Death of Joe Egg: Set design (revolves, trucks, projection, multimedia, pyrotechnics, smoke machines, flying)
    • A Day in the Death of Joe Egg: Costume design (including hair and make-up)
    • A Day in the Death of Joe Egg: Lighting design (direction, colour, intensity, special effects)
    • A Day in the Death of Joe Egg: Sound design (direction, amplification, music, sound effects)
    • A Day in the Death of Joe Egg: Performers' vocal interpretation of character (accent, volume, pitch, timing, pace, intonation, phrasing, emotional range, delivery of lines)
    • A Day in the Death of Joe Egg: Performers' physical interpretation of character (build, age, height, facial features, movement, posture, gesture, facial expression)
  2. ☑️ An Enemy of the People 26 topics
    • An Enemy of the People: genre
    • An Enemy of the People: structure
    • An Enemy of the People: characters
    • An Enemy of the People: form
    • An Enemy of the People: style
    • An Enemy of the People: language
    • An Enemy of the People: sub-text
    • An Enemy of the People: character motivation and interaction
    • An Enemy of the People: creation of mood and atmosphere
    • An Enemy of the People: development of pace and rhythm
    • An Enemy of the People: dramatic climax
    • An Enemy of the People: stage directions
    • An Enemy of the People: social context
    • An Enemy of the People: cultural context
    • An Enemy of the People: historical context
    • An Enemy of the People: theatrical conventions of the period
    • An Enemy of the People: performance conventions
    • An Enemy of the People: use of performance space
    • An Enemy of the People: relationships between performers and audience
    • An Enemy of the People: Prop design
    • An Enemy of the People: Set design (revolves, trucks, projection, multimedia, pyrotechnics, smoke machines, flying)
    • An Enemy of the People: Costume design (including hair and make-up)
    • An Enemy of the People: Lighting design (direction, colour, intensity, special effects)
    • An Enemy of the People: Sound design (direction, amplification, music, sound effects)
    • An Enemy of the People: Performers' vocal interpretation of character (accent, volume, pitch, timing, pace, intonation, phrasing, emotional range, delivery of lines)
    • An Enemy of the People: Performers' physical interpretation of character (build, age, height, facial features, movement, posture, gesture, facial expression)
  3. ☑️ A View from the Bridge 26 topics
    • A View from the Bridge: genre
    • A View from the Bridge: structure
    • A View from the Bridge: characters
    • A View from the Bridge: form
    • A View from the Bridge: style
    • A View from the Bridge: language
    • A View from the Bridge: sub-text
    • A View from the Bridge: character motivation and interaction
    • A View from the Bridge: creation of mood and atmosphere
    • A View from the Bridge: development of pace and rhythm
    • A View from the Bridge: dramatic climax
    • A View from the Bridge: stage directions
    • A View from the Bridge: social context
    • A View from the Bridge: cultural context
    • A View from the Bridge: historical context
    • A View from the Bridge: theatrical conventions of the period
    • A View from the Bridge: performance conventions
    • A View from the Bridge: use of performance space
    • A View from the Bridge: relationships between performers and audience
    • A View from the Bridge: Prop design
    • A View from the Bridge: Set design (revolves, trucks, projection, multimedia, pyrotechnics, smoke machines, flying)
    • A View from the Bridge: Costume design (including hair and make-up)
    • A View from the Bridge: Lighting design (direction, colour, intensity, special effects)
    • A View from the Bridge: Sound design (direction, amplification, music, sound effects)
    • A View from the Bridge: Performers' vocal interpretation of character (accent, volume, pitch, timing, pace, intonation, phrasing, emotional range, delivery of lines)
    • A View from the Bridge: Performers' physical interpretation of character (build, age, height, facial features, movement, posture, gesture, facial expression)
  4. ☑️ Live Theatre Production 26 topics
    • Live Theatre Production: genre
    • Live Theatre Production: structure
    • Live Theatre Production: characters
    • Live Theatre Production: form
    • Live Theatre Production: style
    • Live Theatre Production: language
    • Live Theatre Production: sub-text
    • Live Theatre Production: character motivation and interaction
    • Live Theatre Production: creation of mood and atmosphere
    • Live Theatre Production: development of pace and rhythm
    • Live Theatre Production: dramatic climax
    • Live Theatre Production: stage directions
    • Live Theatre Production: social context
    • Live Theatre Production: cultural context
    • Live Theatre Production: historical context
    • Live Theatre Production: theatrical conventions of the period
    • Live Theatre Production: performance conventions
    • Live Theatre Production: use of performance space
    • Live Theatre Production: relationships between performers and audience
    • Live Theatre Production: Prop design
    • Live Theatre Production: Set design (revolves, trucks, projection, multimedia, pyrotechnics, smoke machines, flying)
    • Live Theatre Production: Costume design (including hair and make-up)
    • Live Theatre Production: Lighting design (direction, colour, intensity, special effects)
    • Live Theatre Production: Sound design (direction, amplification, music, sound effects)
    • Live Theatre Production: Performers' vocal interpretation of character (accent, volume, pitch, timing, pace, intonation, phrasing, emotional range, delivery of lines)
    • Live Theatre Production: Performers' physical interpretation of character (build, age, height, facial features, movement, posture, gesture, facial expression)
  5. ☑️ Mametz 26 topics
    • Mametz: genre
    • Mametz: structure
    • Mametz: characters
    • Mametz: form
    • Mametz: style
    • Mametz: language
    • Mametz: sub-text
    • Mametz: character motivation and interaction
    • Mametz: creation of mood and atmosphere
    • Mametz: development of pace and rhythm
    • Mametz: dramatic climax
    • Mametz: stage directions
    • Mametz: social context
    • Mametz: cultural context
    • Mametz: historical context
    • Mametz: theatrical conventions of the period
    • Mametz: performance conventions
    • Mametz: use of performance space
    • Mametz: relationships between performers and audience
    • Mametz: Prop design
    • Mametz: Set design (revolves, trucks, projection, multimedia, pyrotechnics, smoke machines, flying)
    • Mametz: Costume design (including hair and make-up)
    • Mametz: Lighting design (direction, colour, intensity, special effects)
    • Mametz: Sound design (direction, amplification, music, sound effects)
    • Mametz: Performers' vocal interpretation of character (accent, volume, pitch, timing, pace, intonation, phrasing, emotional range, delivery of lines)
    • Mametz: Performers' physical interpretation of character (build, age, height, facial features, movement, posture, gesture, facial expression)
  6. ☑️ Medea 26 topics
    • Medea: genre
    • Medea: structure
    • Medea: characters
    • Medea: form
    • Medea: style
    • Medea: language
    • Medea: sub-text
    • Medea: character motivation and interaction
    • Medea: creation of mood and atmosphere
    • Medea: development of pace and rhythm
    • Medea: dramatic climax
    • Medea: stage directions
    • Medea: social context
    • Medea: cultural context
    • Medea: historical context
    • Medea: theatrical conventions of the period
    • Medea: performance conventions
    • Medea: use of performance space
    • Medea: relationships between performers and audience
    • Medea: Prop design
    • Medea: Set design (revolves, trucks, projection, multimedia, pyrotechnics, smoke machines, flying)
    • Medea: Costume design (including hair and make-up)
    • Medea: Lighting design (direction, colour, intensity, special effects)
    • Medea: Sound design (direction, amplification, music, sound effects)
    • Medea: Performers' vocal interpretation of character (accent, volume, pitch, timing, pace, intonation, phrasing, emotional range, delivery of lines)
    • Medea: Performers' physical interpretation of character (build, age, height, facial features, movement, posture, gesture, facial expression)
  7. ☑️ One Moonlit Night 26 topics
    • One Moonlit Night: genre
    • One Moonlit Night: structure
    • One Moonlit Night: characters
    • One Moonlit Night: form
    • One Moonlit Night: style
    • One Moonlit Night: language
    • One Moonlit Night: sub-text
    • One Moonlit Night: character motivation and interaction
    • One Moonlit Night: creation of mood and atmosphere
    • One Moonlit Night: development of pace and rhythm
    • One Moonlit Night: dramatic climax
    • One Moonlit Night: stage directions
    • One Moonlit Night: social context
    • One Moonlit Night: cultural context
    • One Moonlit Night: historical context
    • One Moonlit Night: theatrical conventions of the period
    • One Moonlit Night: performance conventions
    • One Moonlit Night: use of performance space
    • One Moonlit Night: relationships between performers and audience
    • One Moonlit Night: Prop design
    • One Moonlit Night: Set design (revolves, trucks, projection, multimedia, pyrotechnics, smoke machines, flying)
    • One Moonlit Night: Costume design (including hair and make-up)
    • One Moonlit Night: Lighting design (direction, colour, intensity, special effects)
    • One Moonlit Night: Sound design (direction, amplification, music, sound effects)
    • One Moonlit Night: Performers' vocal interpretation of character (accent, volume, pitch, timing, pace, intonation, phrasing, emotional range, delivery of lines)
    • One Moonlit Night: Performers' physical interpretation of character (build, age, height, facial features, movement, posture, gesture, facial expression)
  8. ☑️ Sweeney Todd 26 topics
    • Sweeney Todd: genre
    • Sweeney Todd: structure
    • Sweeney Todd: characters
    • Sweeney Todd: form
    • Sweeney Todd: style
    • Sweeney Todd: language
    • Sweeney Todd: sub-text
    • Sweeney Todd: character motivation and interaction
    • Sweeney Todd: creation of mood and atmosphere
    • Sweeney Todd: development of pace and rhythm
    • Sweeney Todd: dramatic climax
    • Sweeney Todd: stage directions
    • Sweeney Todd: social context
    • Sweeney Todd: cultural context
    • Sweeney Todd: historical context
    • Sweeney Todd: theatrical conventions of the period
    • Sweeney Todd: performance conventions
    • Sweeney Todd: use of performance space
    • Sweeney Todd: relationships between performers and audience
    • Sweeney Todd: Prop design
    • Sweeney Todd: Set design (revolves, trucks, projection, multimedia, pyrotechnics, smoke machines, flying)
    • Sweeney Todd: Costume design (including hair and make-up)
    • Sweeney Todd: Lighting design (direction, colour, intensity, special effects)
    • Sweeney Todd: Sound design (direction, amplification, music, sound effects)
    • Sweeney Todd: Performers' vocal interpretation of character (accent, volume, pitch, timing, pace, intonation, phrasing, emotional range, delivery of lines)
    • Sweeney Todd: Performers' physical interpretation of character (build, age, height, facial features, movement, posture, gesture, facial expression)
  9. ☑️ The Absence of War 26 topics
    • The Absence of War: genre
    • The Absence of War: structure
    • The Absence of War: characters
    • The Absence of War: form
    • The Absence of War: style
    • The Absence of War: language
    • The Absence of War: sub-text
    • The Absence of War: character motivation and interaction
    • The Absence of War: creation of mood and atmosphere
    • The Absence of War: development of pace and rhythm
    • The Absence of War: dramatic climax
    • The Absence of War: stage directions
    • The Absence of War: social context
    • The Absence of War: cultural context
    • The Absence of War: historical context
    • The Absence of War: theatrical conventions of the period
    • The Absence of War: performance conventions
    • The Absence of War: use of performance space
    • The Absence of War: relationships between performers and audience
    • The Absence of War: Prop design
    • The Absence of War: Set design (revolves, trucks, projection, multimedia, pyrotechnics, smoke machines, flying)
    • The Absence of War: Costume design (including hair and make-up)
    • The Absence of War: Lighting design (direction, colour, intensity, special effects)
    • The Absence of War: Sound design (direction, amplification, music, sound effects)
    • The Absence of War: Performers' vocal interpretation of character (accent, volume, pitch, timing, pace, intonation, phrasing, emotional range, delivery of lines)
    • The Absence of War: Performers' physical interpretation of character (build, age, height, facial features, movement, posture, gesture, facial expression)
  10. ☑️ The Comedy of Errors 26 topics
    • The Comedy of Errors: genre
    • The Comedy of Errors: structure
    • The Comedy of Errors: characters
    • The Comedy of Errors: form
    • The Comedy of Errors: style
    • The Comedy of Errors: language
    • The Comedy of Errors: sub-text
    • The Comedy of Errors: character motivation and interaction
    • The Comedy of Errors: creation of mood and atmosphere
    • The Comedy of Errors: development of pace and rhythm
    • The Comedy of Errors: dramatic climax
    • The Comedy of Errors: stage directions
    • The Comedy of Errors: social context
    • The Comedy of Errors: cultural context
    • The Comedy of Errors: historical context
    • The Comedy of Errors: theatrical conventions of the period
    • The Comedy of Errors: performance conventions
    • The Comedy of Errors: use of performance space
    • The Comedy of Errors: relationships between performers and audience
    • The Comedy of Errors: Prop design
    • The Comedy of Errors: Set design (revolves, trucks, projection, multimedia, pyrotechnics, smoke machines, flying)
    • The Comedy of Errors: Costume design (including hair and make-up)
    • The Comedy of Errors: Lighting design (direction, colour, intensity, special effects)
    • The Comedy of Errors: Sound design (direction, amplification, music, sound effects)
    • The Comedy of Errors: Performers' vocal interpretation of character (accent, volume, pitch, timing, pace, intonation, phrasing, emotional range, delivery of lines)
    • The Comedy of Errors: Performers' physical interpretation of character (build, age, height, facial features, movement, posture, gesture, facial expression)
  11. ☑️ The Radicalisation of Bradley Manning 26 topics
    • The Radicalisation of Bradley Manning: genre
    • The Radicalisation of Bradley Manning: structure
    • The Radicalisation of Bradley Manning: characters
    • The Radicalisation of Bradley Manning: form
    • The Radicalisation of Bradley Manning: style
    • The Radicalisation of Bradley Manning: language
    • The Radicalisation of Bradley Manning: sub-text
    • The Radicalisation of Bradley Manning: character motivation and interaction
    • The Radicalisation of Bradley Manning: creation of mood and atmosphere
    • The Radicalisation of Bradley Manning: development of pace and rhythm
    • The Radicalisation of Bradley Manning: dramatic climax
    • The Radicalisation of Bradley Manning: stage directions
    • The Radicalisation of Bradley Manning: social context
    • The Radicalisation of Bradley Manning: cultural context
    • The Radicalisation of Bradley Manning: historical context
    • The Radicalisation of Bradley Manning: theatrical conventions of the period
    • The Radicalisation of Bradley Manning: performance conventions
    • The Radicalisation of Bradley Manning: use of performance space
    • The Radicalisation of Bradley Manning: relationships between performers and audience
    • The Radicalisation of Bradley Manning: Prop design
    • The Radicalisation of Bradley Manning: Set design (revolves, trucks, projection, multimedia, pyrotechnics, smoke machines, flying)
    • The Radicalisation of Bradley Manning: Costume design (including hair and make-up)
    • The Radicalisation of Bradley Manning: Lighting design (direction, colour, intensity, special effects)
    • The Radicalisation of Bradley Manning: Sound design (direction, amplification, music, sound effects)
    • The Radicalisation of Bradley Manning: Performers' vocal interpretation of character (accent, volume, pitch, timing, pace, intonation, phrasing, emotional range, delivery of lines)
    • The Radicalisation of Bradley Manning: Performers' physical interpretation of character (build, age, height, facial features, movement, posture, gesture, facial expression)
  12. ☑️ The Woman made of Flowers 26 topics
    • The Woman made of Flowers: genre
    • The Woman made of Flowers: structure
    • The Woman made of Flowers: characters
    • The Woman made of Flowers: form
    • The Woman made of Flowers: style
    • The Woman made of Flowers: language
    • The Woman made of Flowers: sub-text
    • The Woman made of Flowers: character motivation and interaction
    • The Woman made of Flowers: creation of mood and atmosphere
    • The Woman made of Flowers: development of pace and rhythm
    • The Woman made of Flowers: dramatic climax
    • The Woman made of Flowers: stage directions
    • The Woman made of Flowers: social context
    • The Woman made of Flowers: cultural context
    • The Woman made of Flowers: historical context
    • The Woman made of Flowers: theatrical conventions of the period
    • The Woman made of Flowers: performance conventions
    • The Woman made of Flowers: use of performance space
    • The Woman made of Flowers: relationships between performers and audience
    • The Woman made of Flowers: Prop design
    • The Woman made of Flowers: Set design (revolves, trucks, projection, multimedia, pyrotechnics, smoke machines, flying)
    • The Woman made of Flowers: Costume design (including hair and make-up)
    • The Woman made of Flowers: Lighting design (direction, colour, intensity, special effects)
    • The Woman made of Flowers: Sound design (direction, amplification, music, sound effects)
    • The Woman made of Flowers: Performers' vocal interpretation of character (accent, volume, pitch, timing, pace, intonation, phrasing, emotional range, delivery of lines)
    • The Woman made of Flowers: Performers' physical interpretation of character (build, age, height, facial features, movement, posture, gesture, facial expression)
  13. ☑️ Ubu Roi 26 topics
    • Ubu Roi: genre
    • Ubu Roi: structure
    • Ubu Roi: characters
    • Ubu Roi: form
    • Ubu Roi: style
    • Ubu Roi: language
    • Ubu Roi: sub-text
    • Ubu Roi: character motivation and interaction
    • Ubu Roi: creation of mood and atmosphere
    • Ubu Roi: development of pace and rhythm
    • Ubu Roi: dramatic climax
    • Ubu Roi: stage directions
    • Ubu Roi: social context
    • Ubu Roi: cultural context
    • Ubu Roi: historical context
    • Ubu Roi: theatrical conventions of the period
    • Ubu Roi: performance conventions
    • Ubu Roi: use of performance space
    • Ubu Roi: relationships between performers and audience
    • Ubu Roi: Prop design
    • Ubu Roi: Set design (revolves, trucks, projection, multimedia, pyrotechnics, smoke machines, flying)
    • Ubu Roi: Costume design (including hair and make-up)
    • Ubu Roi: Lighting design (direction, colour, intensity, special effects)
    • Ubu Roi: Sound design (direction, amplification, music, sound effects)
    • Ubu Roi: Performers' vocal interpretation of character (accent, volume, pitch, timing, pace, intonation, phrasing, emotional range, delivery of lines)
    • Ubu Roi: Performers' physical interpretation of character (build, age, height, facial features, movement, posture, gesture, facial expression)

A Level Drama and Theatre WJEC Revision Content

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A Level Drama and Theatre WJEC - A Day in the Death of Joe Egg - A Day in the Death of Joe Egg: genre Content Preview

A Day in the Death of Joe Egg

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